Given the popularity (and quick growth) of sites like Pinterest and Tumblr, they obviously have something to offer the internet community. However, one thing none of them do (or truly can do themselves) is guarantee proper citation and attribution to the work that gets shared. That’s where users need to be diligent and respectful of the intellectual property of others, not just the source of discovery. Which is much easier than observed practice would suggest.
Both Pinterest and Tumblr have built-in UI elements that attribute the source of discovery (e.g. via) which gives credit to where the user found the image, and Pinterest goes a step further by linking to the original source (followed by clicking on the image itself). This constant link along the lifespan of a single pin shows an attempt at proper citation, and is all they can realistically do, but it still has loopholes. As an example, let’s use the typographic image I found pinned to someone else’s board today. It had no reference to where the work had come from, nor did the source they found it on, nor the next one, nor did any of the thirteen boards all the way back to the original pin. That’s sixteen pins without attribution to the original creator. I’m not sure if it’s better or worse, but several of the shares were merely using the illustrated words to promote a separate unrelated topic, not the art itself — but that’s a different discussion.
So what about the original source link we mentioned earlier? That led to a Tumblr blog, which once again offered attribution to the source of discovery but nothing to the original source or creator. Following the thread of shares leads back through ten more Tumblr blogs before terminating at an account that was deactivated in 2011. All told, that’s twenty-eight points of sharing where no one bothered to give credit to the artist who drew the original work. And that’s only a single thread. There are easily more divulging branches at each of the twenty-eight points, as each one in turn was repinned & reblogged by more than the user I followed back.
Was it really that hard for any of those people to use Google Image search (even here, our sought for result was three pages back, buried by all the reposts of the image) to trace the image back to the Flickr account of justlucky, who’s user profile conveniently linked to his personal website, wherein was his name — Drew Melton — the original creator of the now twenty-nine times shared image.
So, yesterday was eventful, right? Parts of the internet ‘blacked out’ when people, businesses, and organizations shut down or otherwise altered their website viewing experience in opposition to the Stop Online Piracy Act (SOPA) and the Protect Intellectual Property Act (PIPA). Google kept it simple, donning black in protest, but after Wikipedia closed off it’s site Twitter exploded as students everywhere realized they no longer knew where the library was or how to find the reference section, and common outlets for distraction couldn’t be counted on either as they too were blacked out for 24 hours. I won’t bother pointing out all the reasons and arguments against these two bills (or argue in favor of them) as the information is all across the internet right now, but I will go on record and say that I oppose SOPA and I oppose PIPA.
My post yesterday was ironically well-timed as one of the main reasons I had not posted it sooner was because I was hoping to find a simple and safe means of allowing you to actually listen to the music without infringing on copyright laws. If I were to post tracks, and offer them for download even though they were not mine to give, I could be reprimanded, and rightly so. But the issue many people have with this bill is the vague way in which it is written. If someone were to post links in the comments as a misguided attempt to help, many people fear that the vague way that SOPA is worded would allow the government (or the entertainment industry) to effectively shut my entire site down. So, in the end I put the responsibility on someone else and resorted to using Spotify, even though it requires registration and doesn’t actually offer all the tracks I used. I would love to find a safe way to host music on my site, so if anyone has a suggestion for doing so, sound off in the comments.
So for Christmas this year, I made a ‘mixed tape’ for my family and friends. When I first began putting this collection together, the idea was simply to find songs that were about being happy, or made people happy to hear them. Read More
What you see here was the cover (edited for online), while the interior has the text:
During this season of hurried shoppers and last minute gift wrapping, we just wanted to remind you:
mistletoe is poisonous
and should only be used to steal kisses, not as a substitute for cranberries.
Please be safe this holiday season.
In case anyone has the same sort of morbid sense of humor I do, I’ve created a generalized version for you download as a print-ready PDF (2011 Holiday Card) and a desktop background sized for the iMac I currently use at work (2011 Holiday Background 2560×1440). If there is any interest in a smaller size let me know in the comments and I’ll see what I can do — though my schedule between now and Christmas is limited.
Happy Holidays everyone!
Last night I attended the Louisville Graphic Design Association’s Annual 100 Show, a competition that awards the top 100 pieces of design from the region. There are five categories including Graphic Design, Illustration, Photography, Interactive Media and Motion Design, and three guest judges (typically from out of the area).
Anyway, I won a Bronze last night for my 2010 Holiday Wine Bottles. The design is similar to the 50th Anniversary Wine Bottles from my portfolio. In full disclosure, the 50th Anniversary bottles are the third such design I’ve done using negative space as a focal point on a bottle label. The first design was done as an internal award given during our company retreat in 2010. On those, the negative space was a large numeral 1. That design was so well liked by the company leaders that I was asked to revisit the concept for a second time for the holiday gift we sent clients – hence the 2010 Holiday Wine Bottles, which use an evergreen tree as the negative space.
Out of the three, I actually think the Holiday bottles were my least favorite design. I loved the strong typographic characteristics of the original design, and though I was stumped for a while concerning how to handle the negative space, I ended up quite happy with the Anniversary design, and feel that the heart is subtle, and yet still powerful enough as a visual wrap.
Regardless, I am happy to be so honored by the LGDA. Thank you.
Here’s a sneak peek of a personal project I started tonight: two skeletons facing one another while wearing sweaters. I expect the full project to be done by December 10th, so you won’t have to wait long to see where this is going.
My initial thoughts: I’m not sure what to do with the male skeleton’s hands just yet; I like them behind him, but how to pose that I’m not sure. There are other small nuances here and there. And finally, I’m not sure the female skeleton really needs the impression of boobs under her sweater, I think I may take those away and maybe try a low-cut neckline or something to reinforce the femininity there.
The United States is experiencing the worst recession since the Great Depression (1929), and unemployment is among the highest and longest lasting it’s ever been — people are protesting in the streets because a lot of them are scrapping by from month to month. In this time of crisis many individuals turn to our government to be actively working to rectify this situation; and the current administration has begun work to turn things around with the American Jobs Act, but to help kick off this initiative they have fallen to one of the worst vendor/client relationship clichés ever.Read More
I use to have a favorite color. It was purple.
And then my favorite colored changed, and it was green, then blue, then back to green, a brief stint in red, so on and so forth.
At one point during college when I was actually meeting better known designers from time to time I thought it would be fun to collect their favorite colors. By which I mean I planned to ask them when I met them what their favorite color was. I thought it was a simple enough exercise, never intending to be anything more than a brief return to younger days when things were simple and you had a favorite color. So when a few friends and I took a 500 mile road trip to visit Chicago and attend a small design conference in Dekalb I took the opportunity to ask Paula Scher what her favorite color was, and was somewhat frustrated with her answer.
I was in Business First today as part of their ‘On The Move’ section, for getting promoted to Senior Designer at work. I haven’t been able to get my hands on a physical copy of the paper yet, but it’s still kind of cool to be in there; even if I know it was set up, so to speak. I was part of the promotion process, in that I was informed beforehand at least, and it led me to looking at design job titles — which are decidedly limited in their scope.
From what I can tell, the basic progression is thus:
Junior Designer > Designer > Senior Designer > Art Director > Chief Design Officer > Partner/Principal
Maybe I’m misinformed on the standards in other fields but that really doesn’t seem like much to me. There’s not much room for incremental growth. You could put Intern at the beginning if you want, throw in Production Artist somewhere, put Creative Director either with or somewhere around Art Director, but CDO is not something I’ve ever come across in actual conversation (though maybe that’s more indicative of my professional networking than the field itself). You can also choose titles much more specialized in an area of your choice such as Interactive Designer, Graphic Designer, or Web Designer.
Maybe I’m completely naive for wanting something more incremental (I blame video games for conditioning me to expect immediate leveling up), and I’m not sure what you would even call a position between Designer and Senior Designer, so it’s probably good that one has to be in a single title for several years through numerous challenges before they get a new title. Truly pay your dues and familiarize yourself as much as possible with the tasks at hand before you achieve that next rank. Because I’m still relatively new to the industry compared to a lot of people and I know I don’t have the experience to be a good Director of anything yet. Right now I’m just happy to have leveled to Senior Designer, even if it makes me sound a little geriatric.
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